As a student in the early 80's, I saw a film at the local art house that was quite unlike anything I'd seen before. It was foreign, black and white, and featured (in addition to scantily clad temptresses) seemingly innumerable stories within stories, a narrative Chinese box, all in a quite fantastic vein. The name of the film escaped me for years, but it remained as a tantalizing memory. No one I spoke to seems to have any recollection of the film, and I wondered if it had been a dream after all.
A few years ago there was a new translation of a book entitled The Manuscript Found at Saragossa by Polish author Jan Potocki. This novel is comprised of interlocking stories within stories, gothic and surreal. Set in Spain's Sierra Morena mountains in the early years of the 18th century, the intricate stories make generous use of the elements of hermetic and kabbalistic teachings, as well as Islamic history and the horrors of the Inquisition.
Potocki knew the detailed history of the time and sprinkled his narrative with actual persons and events. He created in this novel a subterranean twilight world, where secretive Moorish sheiks hoard incredible wealth and scheme for the continuance of their hereditary authority in the hidden realm.
Van Worden, the narrator, is manipulated throughout to serve the purposes of a distant relation, the Sheik of the Gomelez. He accomplishes this through tests of character, through the intricate web of stories (including the tale of the Wandering Jew, a popular gothic motif - see also Melmoth the Wanderer and Eugene Sue's eponymous novel), and through, not least, the erotic attractions of two nubile Moorish princesses. A recurring episode pertains to some criminal corpses, hanging near a crossroads, that seem to be resurrected with an almost comic consistency.
The disparate narratives weave together in the final pages. Van Worden learns the object of his manipulation, but is greatly rewarded for providing an heir to the Sheik. The object of the Sheik is a plan for Moorish world domination, a foreshadowing of the anti-semitic and discredited "Protocols of the Elders of Zion". Conspiracy theorists, alas, have always been with us.
And of course, while reading this novel, back in 2001, my mind was struck by similarities to a film I had seen many years before. The film? The 1965 production of "The Saragossa Manuscript", which I now own on DVD. Both the book and the film are wonderfully imagined works of art.
Tuesday, October 30, 2007
Friday, October 12, 2007
Nobel Prize Winner
Al Gore has won the Nobel Peace Prize. I hadn't really been paying much attention to this possibility, but it's a nice acknowledgement of the work he's done to raise awareness of global warming.
http://www.nytimes.com/2007/10/13/world/13nobel.html?hp
And how, pray tell, do the right-wingers react? With a sense of pride for a fellow American?
Sorry, no. A perusal of the comments on the Times article reveal, amidst the general feeling of appreciation of Gore's work, the sour grapes of the right ("questionable science", "Jimmy Carter", and the personal attacks they have internalized by parroting Limbaugh for all these years). Well he won it, they didn't, and it's too late to expect any graciousness from the knuckle-draggers.
In the context of American anti-intellectualism, the ignorant masses always resent the educated. They prefer the so-called "man of action" to the person who procedes based on reasonable judgement. Look where seven years of a "man of action" have gotten us: dissatifaction at home and hatred for us around the world. Gore's honor at least serves to remind the world that there are still some decent Americans left.
http://www.nytimes.com/2007/10/13/world/13nobel.html?hp
And how, pray tell, do the right-wingers react? With a sense of pride for a fellow American?
Sorry, no. A perusal of the comments on the Times article reveal, amidst the general feeling of appreciation of Gore's work, the sour grapes of the right ("questionable science", "Jimmy Carter", and the personal attacks they have internalized by parroting Limbaugh for all these years). Well he won it, they didn't, and it's too late to expect any graciousness from the knuckle-draggers.
In the context of American anti-intellectualism, the ignorant masses always resent the educated. They prefer the so-called "man of action" to the person who procedes based on reasonable judgement. Look where seven years of a "man of action" have gotten us: dissatifaction at home and hatred for us around the world. Gore's honor at least serves to remind the world that there are still some decent Americans left.
Wednesday, October 10, 2007
Penguin Modern Classics
One of the joys of book collecting is an increased appreciation of graphic design and how it evolves over the years. Penguin Books have had one of the most interesting evolutions in the publishing world. You can't tell a book by its cover, but the quality of Penguin texts married with excellent design standards makes Penguin Books a reliable source of good (and good looking) literature.
I have collected the "old style" Penguin Modern Classics for years. Many of the ones I have are UK editions which were never for sale in this country. I am currently entering my collection into my LibraryThing catalogue.
Today I came across a collection of covers from the most recent incarnation of this series. Lots of use of photography, which gives them a nice clean look. Not a tremendous amount of overlap with the old series, so maybe I should start a new collection....
For a look at the new covers, go to:
Beloved
I began this blog because I wanted to write about out-of-the-mainstream books I've read. I have finally gotten around to reading Beloved by Toni Morrison. This book has become part of the modern canon, and is hardly obscure, so I'll skip a lengthy plot summary. The novel, in case you aren't familiar with it, is a story of the violence and degradation of slave life and the scars carried by those who labored and suffered under that system long after it ceased to exist as an institution.
Beloved is the story of Sethe and her family, who reach Cincinatti via the Underground Railroad and build a post-war life there, haunted by the past in the form of the child Sethe has murdered rather than submit to a life of slavery. As a story of human sorrow and strength, it could be a story from the Holocaust, from Kosovo or Iraq or any number of the disasters of human degradation that have plagued our history. It is a story about dealing with wrenching loss and humiliation, finding one's way when one has plumbed the depths of despair. It is a cry from those who historically have had no voice at all.
A consertative commentator recently wrote a column trying to explain why slavery "wasn't all bad". The sheer idiocy of making such a statement in the 21st century shows how disconnected we have become from disturbing historical realities. Give him another 25 years, and Michael Medved and his ilk could be the next wave of Holocaust deniers. After all, once the witnesses are gone, we can make up any story we like about the past, can't we?
A novel is not a historical record, but a well written novel can give insights into the human condition and give some voice to those who have not been heard. I don't know the genesis of Ms. Morrison's novel, whether it is based on any known historical incident, but it stands as a voice or an echo from a people who lived and died in a shameful, immoral system that mocked our ideals that "all men are created equal."
Beloved is the story of Sethe and her family, who reach Cincinatti via the Underground Railroad and build a post-war life there, haunted by the past in the form of the child Sethe has murdered rather than submit to a life of slavery. As a story of human sorrow and strength, it could be a story from the Holocaust, from Kosovo or Iraq or any number of the disasters of human degradation that have plagued our history. It is a story about dealing with wrenching loss and humiliation, finding one's way when one has plumbed the depths of despair. It is a cry from those who historically have had no voice at all.
A consertative commentator recently wrote a column trying to explain why slavery "wasn't all bad". The sheer idiocy of making such a statement in the 21st century shows how disconnected we have become from disturbing historical realities. Give him another 25 years, and Michael Medved and his ilk could be the next wave of Holocaust deniers. After all, once the witnesses are gone, we can make up any story we like about the past, can't we?
A novel is not a historical record, but a well written novel can give insights into the human condition and give some voice to those who have not been heard. I don't know the genesis of Ms. Morrison's novel, whether it is based on any known historical incident, but it stands as a voice or an echo from a people who lived and died in a shameful, immoral system that mocked our ideals that "all men are created equal."
Sunday, September 30, 2007
Two "Gnostic" Gospels
As a teenager, I read a Borges story called "The Theologians", the first sentences of which describe an early Christian who crushed his son under an immense weight so that his double could fly in Heaven. This piece of fiction was my first awareness that there were different strains of Christianity in the first centuries A.D., some of which were radically different from what we conceive as mainstream Christian thought. G. R. S. Mead's eminently enjoyable Fragments of a Faith Forgotten, published long before the discoveries at Nag Hammadi and obsolete from a scholarly standpoint, gave me further insights into the versions of Christianity heavily influenced by Neoplatonism and lumped together under the term "Gnostic".
Since reading those works so long ago, a treasure trove of texts and interpretations of Gnostic literature has been published, the cornerstone of which is Elaine Pagels' seminal The Gnostic Gospels. Over the last several years, scholars have shied away from the use of the designation "Gnostic", as it implies a uniformity of belief that did not exist in those early heterodox centuries. What is clear is that the mainstream Church, in consolidating its power, perceived any Christian belief which advocated direct apprehension of God, without the Church as intermediary, as a threat to its authority. Of the many Gospels and other writings floating around which did not support the Church narrative they had great distrust, and actively sought their elimination. They did a remarkably thorough job supressing these texts, most of which were known up until the 20th century only by their inclusion in writings by Church fathers such as Irenaeus, who quoted them only to refute them. Discoveries at Nag Hammadi and elsewhere have served to correct these deficiencies by revealing, at long last, many of the original texts.
I don't have a dog in this fight. Studying the history of the early Church and particularly the Neoplatonic versions of Christianity is, for me, a fun Borgesian pastime and a good illustration of how all history must be viewed with a skeptical eye, as it is a truism that history is written by the victors. If not for the discoveries of Nag Hammadi, our view of the development of the cultural phenomenon of Christianity would be much different. The upheavals and violence of the Albigensian Crusade, the Inquisition, and the Protestant Reformation have clear antecedents in the Church's response to the Gnostic heresies.
My notes on the Thomas Gospel are a few years old, but I thought it made sense to present them together with a review of Pagels' more recent book.
Since reading those works so long ago, a treasure trove of texts and interpretations of Gnostic literature has been published, the cornerstone of which is Elaine Pagels' seminal The Gnostic Gospels. Over the last several years, scholars have shied away from the use of the designation "Gnostic", as it implies a uniformity of belief that did not exist in those early heterodox centuries. What is clear is that the mainstream Church, in consolidating its power, perceived any Christian belief which advocated direct apprehension of God, without the Church as intermediary, as a threat to its authority. Of the many Gospels and other writings floating around which did not support the Church narrative they had great distrust, and actively sought their elimination. They did a remarkably thorough job supressing these texts, most of which were known up until the 20th century only by their inclusion in writings by Church fathers such as Irenaeus, who quoted them only to refute them. Discoveries at Nag Hammadi and elsewhere have served to correct these deficiencies by revealing, at long last, many of the original texts.
I don't have a dog in this fight. Studying the history of the early Church and particularly the Neoplatonic versions of Christianity is, for me, a fun Borgesian pastime and a good illustration of how all history must be viewed with a skeptical eye, as it is a truism that history is written by the victors. If not for the discoveries of Nag Hammadi, our view of the development of the cultural phenomenon of Christianity would be much different. The upheavals and violence of the Albigensian Crusade, the Inquisition, and the Protestant Reformation have clear antecedents in the Church's response to the Gnostic heresies.
My notes on the Thomas Gospel are a few years old, but I thought it made sense to present them together with a review of Pagels' more recent book.
Beyond Belief: The Secret Gospel of Thomas by Elaine Pagels
The Gospel of Thomas was one of the "heretical" texts found at Nag Hammadi in Egypt in the late 1940's. Of the many works found at that time, it has excited the most interest due to both its parallels and divergences from the four canonical Gospels. The synoptic Gospels tell a similar story, however, the Gospel of John is quite different in its style, themes, and interpretations of the meaning of Jesus. John is the only gospel to directly imply that Jesus was in fact God.
Pagel's contention is that John may have been written to specifically "correct" the ideas about Jesus presented in the suppressed Gospel of Thomas. Thomas presents Jesus as divine, but encouraging others to look to the divine within themselves, to "drink from my mouth and become what I am." The Gospel of John was written to reinforce the idea, becoming orthodox in the first century, that one does not share in divinity, but comes to it through the sacrifice of Jesus, the one son of God. Pagels devotes much of Beyond Belief to describing how the church father Irenaeus sought to suppress all but the "authorized" Gospels as a means of fostering orthodoxy and eliminating innovation and error. Beyond Belief ends with the familiar story of Constantine and the Council of Nicea, which solidified the creed of the early church and established the authorized New Testament.
Reading Judas: The Gospel of Judas and the Shaping of Christianity by Elaine Pagels and Karen L. King
The Gospel of Judas, known previously only through the refutation of Irenaeus, is a quite recent discovery, only becoming public last year. In a theme worthy of Borges, it presents the arch-traitor Judas as the most beloved of Christ's disciples - the only one who understands Jesus' true mission and the transcendent reality of the kingdom of God.
Judas has always presented a problem for the Church. It is through his agency that Christ is betrayed and crucified, necessary steps towards the redeeming event of the resurrection. Yet Judas is reviled as being possessed by Satan himself, an agent of pure evil. More recently, Judas has been posited as a proto-Zionist, knife at the ready, who betrays Jesus as soon as he realizes that he has not come as a messianic king to defeat the Romans and restore the kingdom of Israel.
Pagels and King see the Judas in this text as a mouthpiece for criticism of the cult of martyrdom, the thirst for the opportunity to "die in glory for the Lord" so prevalent in the early church. There is also a certain amount of mystical theology thrown in as well (the "Gnostic" idea that Jesus is an emissary of the true God, who reigns above the demiurge responsible for the creation of the physical universe). The text contained in this volume and the interpretations provided by Pagels and King are a worthy addition to the expanding literature of the early Christian era.
Thursday, September 13, 2007
Links
I have finally gotten around to starting a list of links over there to the right.
Jurassic Pork at Pottersville is always on the mark with essays that challenge the short attention span zeitgeist. In an ideal world, his essays would be on the front of all our major metropolitan newspapers (although in an ideal world, that wouldn't be necessary). I recommend TBogg for his own brand of insight, and for a really great sense of humor. He reminds me of myself, back when I still had a sense of humor that scared the living shit out of my adversaries.
I'll build the list as I go along. It will be dedicated to meaningful sites that I visit frequently. Except Atrios. God knows why I still visit him frequently. Heh, Indeedy.
Jurassic Pork at Pottersville is always on the mark with essays that challenge the short attention span zeitgeist. In an ideal world, his essays would be on the front of all our major metropolitan newspapers (although in an ideal world, that wouldn't be necessary). I recommend TBogg for his own brand of insight, and for a really great sense of humor. He reminds me of myself, back when I still had a sense of humor that scared the living shit out of my adversaries.
I'll build the list as I go along. It will be dedicated to meaningful sites that I visit frequently. Except Atrios. God knows why I still visit him frequently. Heh, Indeedy.
Wednesday, September 12, 2007
The Quiet American
Last month, in a speech on Iraq policy, George Bush made a curiously muddled reference to Alden Pyle, the "quiet" American intelligence officer featured in Graham Greene's novel. Greene's portrait of Pyle is not a flattering one: he is an immensely naive, unworldly young man ready to remake the world in the image of American democracy. While doing my LibraryThing cataloging, I came across this book last week and decided to reread it in light of Bush's comment and the obvious parallels with the Iraq situation.
Clearly, Bush has either not read this book or is a terribly poor reader. Pyle, in his misguided attempt to enable the fermentation of democracy in Vietnam (ca. early 1950's), facilitates a terrorist act that leaves civilians dead or maimed (the chapter describing the explosion and its aftermath are classic Greene). Pyle, as a neophyte to carnage, is shocked by the result of his actions, but is undeterred, rationalizing that the civilians "died for democracy".
Greene's book shows the Americans bumbling into the French colonial disaster in Southeast Asia, but in essence this provides a background to the moral awakening of the "narrator", Thomas Fowler, the British correspondent who keeps a Vietnamese mistress while trying to stay uninvolved in the political situation. Fowler's contempt for Pyle - who in addition to his subversive activities has tried to "liberate" Fowler's mistress as well - ultimately leads to his abandoning his moral ambivalence. Although Pyle had in fact saved his life in the course of a nighttime attack in the Vietnamese countryside, Fowler assists in luring Pyle into an ambush in which he is murdered. Did Fowler make the decision to let Pyle be killed because of his recklessness in fomenting deadly unrest, because of his contempt for his naivete, or because of Pyle's attempts to seduce Phong away from him?
In the end, Fowler's own hypocrisies and fears are exposed - a self-awakening for which Pyle is the catalyst. But Pyle is no hero. Despite his "quietness", he is a dangerous man - a man without understanding who attempts to remake the world according to his own ideal.
Clearly, Bush has either not read this book or is a terribly poor reader. Pyle, in his misguided attempt to enable the fermentation of democracy in Vietnam (ca. early 1950's), facilitates a terrorist act that leaves civilians dead or maimed (the chapter describing the explosion and its aftermath are classic Greene). Pyle, as a neophyte to carnage, is shocked by the result of his actions, but is undeterred, rationalizing that the civilians "died for democracy".
Greene's book shows the Americans bumbling into the French colonial disaster in Southeast Asia, but in essence this provides a background to the moral awakening of the "narrator", Thomas Fowler, the British correspondent who keeps a Vietnamese mistress while trying to stay uninvolved in the political situation. Fowler's contempt for Pyle - who in addition to his subversive activities has tried to "liberate" Fowler's mistress as well - ultimately leads to his abandoning his moral ambivalence. Although Pyle had in fact saved his life in the course of a nighttime attack in the Vietnamese countryside, Fowler assists in luring Pyle into an ambush in which he is murdered. Did Fowler make the decision to let Pyle be killed because of his recklessness in fomenting deadly unrest, because of his contempt for his naivete, or because of Pyle's attempts to seduce Phong away from him?
In the end, Fowler's own hypocrisies and fears are exposed - a self-awakening for which Pyle is the catalyst. But Pyle is no hero. Despite his "quietness", he is a dangerous man - a man without understanding who attempts to remake the world according to his own ideal.
Saturday, September 01, 2007
The Library, Thus Far
Pleased to note that, after a few months of spare time (ha!) cataloging, I entered my 2000th book on my LibraryThing listings today. Happy to note that I happened to be cataloging Mr. Nabokov at the time. Only two and a half large bookshelves in my library to go...plus a smaller bookshelf crammed with Modern Library editions and Penguin poetry paperbacks...plus some books in the bedroom...plus some of the better editions of children's books in my son's room...and then I can move on to the 30 odd bankers boxes in the garage....
Ok, so I really have a long way to go....
I also read Reading Judas by Elaine Pagels and Karen King this week. Hopefully, I will write up some notes on this in the next several days.
Ok, so I really have a long way to go....
I also read Reading Judas by Elaine Pagels and Karen King this week. Hopefully, I will write up some notes on this in the next several days.
Monday, August 27, 2007
Alberto Gonzalez
http://www.cnn.com/2007/POLITICS/08/27/gonzales/index.html
Long overdue. Ignore the "American Dream" crap - the man used the United States Constitution as toilet paper and has helped make this country reviled around the globe while chipping away at our civil rights. Like his boss, he is an arrogant bastard with no redeeming qualities.
Good riddance.
Long overdue. Ignore the "American Dream" crap - the man used the United States Constitution as toilet paper and has helped make this country reviled around the globe while chipping away at our civil rights. Like his boss, he is an arrogant bastard with no redeeming qualities.
Good riddance.
Wednesday, August 15, 2007
Accumulated Wisdom
Someone said (paraphrase):
George Bush says God speaks to him and no one bats an eye. But if George Bush said God speaks to him through a hairdryer, we would have a constitutional crisis.
George Bush says God speaks to him and no one bats an eye. But if George Bush said God speaks to him through a hairdryer, we would have a constitutional crisis.
The Things That Make Us Happy Make Us Wise
Today I get to be one of those annoying people who have just “discovered” a book that everyone else already knows is great.
Many years ago, in Austin, Texas, a local thrift store hit upon the idea of having an entire store selling donated books, records, etc. for 1-2 dollars apiece. Although it was usually deserted (which makes me think it must have existed then, as now, only in my dreams), it was the kind of place you could visit for an evening, emerging a couple of hours later with a bag full of rare and eclectic works drawn from the crazy mixed up stacks with only minimal and unhelpful organization (I remember seeing Alcott’s Little Men on a shelf labeled “Sexual Issues”).
The staff rotated between a young punker, a frail old woman, and a physically deformed girl with a pretty face and a sweet smile. This was my home away from home and from it I mined several books from the library of the medievalist Augustus C. Krey (who was apparently married to a well-regarded local author), the Smithsonian Collection of Classic Jazz (one of my most powerful talismans), and pristine works of English literature which showed up occasionally, bearing the bookplate, in clear careful handwriting, of one Ginger/Virginia Hall (why had she carefully selected such wonderful books, carefully inserted her bookplate, and then apparently never so much as cracked them open – one doesn’t read a 400 page novel without leaving some sort of evidence – I will never know).
One book which I picked up and pondered several times, never to buy, was an advanced reading copy of a book called Aegypt, by John Crowley. Being interested in ancient history and the occult, it would seem a logical choice for me. Unfortunately, I was a bit of a snob about most contemporary literature and, anyway, the name conjured up for me the repugnant image of Alistair Crowley, the great and overrated con man of 20th century occultism. So on the shelf it stayed to my deep regret.
A few years later I discovered an omnibus of John Crowley. By this time, through repeated handlings of Aegypt, the name was firmly established in my consciousness and I figured that if the guy deserved the Quality Paperback Book Club treatment, then maybe he was ok. The book sat on my shelf for a few more years. It included a long novel called Little, Big, which I vaguely thought had something to do with Alice in Wonderland (there was a character called Daily Alice, and we all now about Alice’s difficulty in obtaining the optimal height for whatever task she was up to on the other side of the looking glass). Well, Alice in Wonderland is a great book, but like Harry Potter and the works of Tolkien, it tends to draw a pretty daffy crowd. And my thinking has always been “why read a book about another book when you can just read the original, which must be better anyway?”
Well, a few weeks ago, despite all odds against it, I picked up Little, Big and started reading the first few pages. It has little or nothing to do with Charles Dodgson’s little girl. The more I read, the more I was hooked (or in the vernacular of the novel, the farther in I went, the bigger it got). I was never one for the fantasy fairyland of Yeats and the Little Blue Book of Fairies by what’s-his-name, but Crowley’s writing is so precise, so evocative of the primeval wood and the tobacco-scented soil, so pleasurable, that it is now on my list of favorite books.
There is a permanence in the mythical, architectural oddity of the Drinkwater mansion: in this mansion there are many rooms, and plenty of queer characters to occupy them. The novel evokes the passage of time, the chain of being that binds all who pass their short time on this ancient earth, seen or unseen. It evokes the swirl of life in this decrepit theatre across the stage of which we all pass before a final bow. For me, the end of the book is long in coming, it seems that Crowley is wrapping it up 100 pages before the end, which makes the ending seem both drawn-out and rushed, but no matter, this tale is not told by an idiot. What it signifies, to me anyway, is that “perfection and end” signified by the greatest of the Major Trumps – nothing less than “The World”.
P.S. Almost forgot the link. Buy a new copy - Mr. Crowley deserves the cash.
Many years ago, in Austin, Texas, a local thrift store hit upon the idea of having an entire store selling donated books, records, etc. for 1-2 dollars apiece. Although it was usually deserted (which makes me think it must have existed then, as now, only in my dreams), it was the kind of place you could visit for an evening, emerging a couple of hours later with a bag full of rare and eclectic works drawn from the crazy mixed up stacks with only minimal and unhelpful organization (I remember seeing Alcott’s Little Men on a shelf labeled “Sexual Issues”).
The staff rotated between a young punker, a frail old woman, and a physically deformed girl with a pretty face and a sweet smile. This was my home away from home and from it I mined several books from the library of the medievalist Augustus C. Krey (who was apparently married to a well-regarded local author), the Smithsonian Collection of Classic Jazz (one of my most powerful talismans), and pristine works of English literature which showed up occasionally, bearing the bookplate, in clear careful handwriting, of one Ginger/Virginia Hall (why had she carefully selected such wonderful books, carefully inserted her bookplate, and then apparently never so much as cracked them open – one doesn’t read a 400 page novel without leaving some sort of evidence – I will never know).
One book which I picked up and pondered several times, never to buy, was an advanced reading copy of a book called Aegypt, by John Crowley. Being interested in ancient history and the occult, it would seem a logical choice for me. Unfortunately, I was a bit of a snob about most contemporary literature and, anyway, the name conjured up for me the repugnant image of Alistair Crowley, the great and overrated con man of 20th century occultism. So on the shelf it stayed to my deep regret.
A few years later I discovered an omnibus of John Crowley. By this time, through repeated handlings of Aegypt, the name was firmly established in my consciousness and I figured that if the guy deserved the Quality Paperback Book Club treatment, then maybe he was ok. The book sat on my shelf for a few more years. It included a long novel called Little, Big, which I vaguely thought had something to do with Alice in Wonderland (there was a character called Daily Alice, and we all now about Alice’s difficulty in obtaining the optimal height for whatever task she was up to on the other side of the looking glass). Well, Alice in Wonderland is a great book, but like Harry Potter and the works of Tolkien, it tends to draw a pretty daffy crowd. And my thinking has always been “why read a book about another book when you can just read the original, which must be better anyway?”
Well, a few weeks ago, despite all odds against it, I picked up Little, Big and started reading the first few pages. It has little or nothing to do with Charles Dodgson’s little girl. The more I read, the more I was hooked (or in the vernacular of the novel, the farther in I went, the bigger it got). I was never one for the fantasy fairyland of Yeats and the Little Blue Book of Fairies by what’s-his-name, but Crowley’s writing is so precise, so evocative of the primeval wood and the tobacco-scented soil, so pleasurable, that it is now on my list of favorite books.
There is a permanence in the mythical, architectural oddity of the Drinkwater mansion: in this mansion there are many rooms, and plenty of queer characters to occupy them. The novel evokes the passage of time, the chain of being that binds all who pass their short time on this ancient earth, seen or unseen. It evokes the swirl of life in this decrepit theatre across the stage of which we all pass before a final bow. For me, the end of the book is long in coming, it seems that Crowley is wrapping it up 100 pages before the end, which makes the ending seem both drawn-out and rushed, but no matter, this tale is not told by an idiot. What it signifies, to me anyway, is that “perfection and end” signified by the greatest of the Major Trumps – nothing less than “The World”.
P.S. Almost forgot the link. Buy a new copy - Mr. Crowley deserves the cash.
Friday, June 15, 2007
Update
Still on hiatus. One item of note is that I've recently begun the long procrastinated project of cataloging my books. Fortunately, I've found a site (Library Thing) that is fun and addictive. At our last move, it was estimated that I have collected approximately 10,000 books (the movers would probably sign an affidavit to that effect), so the process of cataloging will be slow.
I will probably begin annotating my reading on Library Thing. I will likely reserve this blog to talk about books I really like, rather than just daily reading. What I will ultimately do with this blog remains to be seen: I really just came in today to check the plants and make sure nothing is starting to smell.
I will probably begin annotating my reading on Library Thing. I will likely reserve this blog to talk about books I really like, rather than just daily reading. What I will ultimately do with this blog remains to be seen: I really just came in today to check the plants and make sure nothing is starting to smell.
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