Wednesday, November 30, 2022

The Greek Tyrants by A. Andrewes

I've had this Harper Torchbook edition for a ridiculously long time, and it's a book I've seen on my shelf and challenged myself to read many times, to no result. No biographical data on Mr. Andrewes is provided, but it's no surprise to find on Wikipedia that he was, as I imagined him, an Oxford classicist of the old school (the first edition of The Greek Tyrants was published in 1956).

Although short and incredibly dry, this volume packs a lot of information as to what was known about pre-classical political structures of ancient Greece, and particularly about the long transitional period from the "dark ages" from monarchy to aristocratic rule, and subsequently from tyranny (in the instances where it occurs) to democracy.  Sources from this time are scarce, and it is the work of contemporary poets, such as Hesiod and Pindar, that supplement the (often questionable) writings concerning various tyrannies in later historians such as Herodotus. Although some archeological evidence is referenced, anecdotes and quasi-legendary stories make up a good deal of the "facts", such as this amusing story:

Something must also be said of the spectacular meeting about 570 which ended in the marriage of Cleisthenes' daughter Agariste to the Athenian Megacles, the son on Alcmeon.  Herodotus tells us about this competition organized in the leisurely style of the epic.  A formal invitation was proclaimed at Olympia after Cleisthenes' victory in the games, the illustrious suitors spent a year in various tests at his court, then on the last evening the dance of the Athenian Hippocleides grew wilder till at last he stood on his head and waggled his legs: Cleisthenes warned him that he had danced away his marriage, but he replied "Hippocleides doesn't care."

Most other anecdotes are more brutal, such as the tyrant of a Greek colony in Sicily who was famous for roasting his enemies inside a large bronze bull, and battlefield atrocities are not uncommon. There is a good discussion of the Samian tyrant Polycrates, who was - depending upon who you asked - either a pirate or a shrewd operator who understood the value of sea power.  He must have had charisma: Herodotus notes that "his friends were more pleased when he returned their goods than if he had never seized them in the first place."

Andrewes is not one to overpack his study with anecdotes however, and we read insightful analyses of the role of the growing middle class in providing hoplites to tyrants as a hedge against aristocratic overreach, the political status of the Sicilian colonies and the Greek enclaves along the coast of Asia Minor, the development of the unique Spartan system, and the growing shadow of the Persian Empire and its influence on Greece through support or dissatisfaction of various tyrants along the western seaboard. Andrewes begins the study with a long analysis of the etymology and meaning of the word "tyrant" (tyrannos) itself, noting that the term carried a variety of connotations in ancient writers: that tyranny in pre-classical Greece was necessarily considered bad should not be assumed. Much depends on the author and the context to which he is referring.


Monday, November 14, 2022

The Rings of Saturn by W. G. Sebald

 

I'll keep this short, as W. G. Sebald is hardly "obscure", having been on the thinking person's radar ever since he was praised by Susan Sontag in a 2000 essay entitled (what else?) "On W. G. Sebald". I haven't taken the trouble to go back and reread Sontag's essay to see what she found so illuminating about his works, but I'm sure the praise was deserved. In reading The Rings of Saturn over a few nights, I came to appreciate the slow, discursive tone of this fiction, which describes a walker's memories and experiences whilst sauntering in the North (or German, per Sebald) Sea vicinity of Norwich, as well as the opposite shore of the Netherlands.


Similarly to Borges, whom he openly admires, one can't vouch for the veracity of the facts as presented by the narrator; of course, there is a basis in reality, but one can't be sure where the narratives presented transition into fancy. Sebald discourses on a number of topics, beginning and ending with Sir Thomas Browne, with reflections on Rembrandt's "Anatomy Lesson", Edward FitzGerald, the silkworm moth, Joseph Conrad, Chateaubriand, China's Dowager Empress, and the isolated and eccentric personages he encounters in his rambles. What is most apparent is the stasis of many of those whom he encounters and the bleak landscapes which they occupy, or, in the instances of Conrad and Chateaubriand, an escape from stasis only to find the sorrows and ugliness of the world awaiting them.  One comes to sense a deeper unity in the narrative, which at a glance seem to be a series of discrete essays on diverse topics; the whole is, of course, more complex than its parts. Towards the end, the author reveals the unifying element - "...our history, which is but a long account of calamities...".

With appropriate ambiguity, W. G. Sebald died in Norwich in 2001, of either a heart attack or an automobile accident.