I don't usually read anthologies from cover to cover, but Robert Irwin’s Night and Horses and the Desert is the exception.
The interesting thing about this book is that the real meat of it is Irwin's commentary. The author of the modern classic The Arabian Nightmare (as well as a companion guide to the Arabian Nights), he's a very astute guide to this world, and I looked forward every night to reading something that gave me a smile. This is to say, there is just enough humor in the commentary without being precious or silly. Perhaps due to Irwin’s interests, there is an emphasis in the anthology on the gothic (for want of a better word) and the fantastic. There are minimal religious texts, but plenty of texts relating to wine and debauchery.
The breadth of Irwin's knowledge is amazing. There might be room for quibbles about what has been put in or left out, and some readers may lament that the book is rather light on actual texts, but as a crash course in Arabic literature from pre-Islamic times to the rise of the Ottomans, it is a fascinating read. Highly recommended.
Showing posts with label Robert Irwin. Show all posts
Showing posts with label Robert Irwin. Show all posts
Thursday, August 14, 2008
Saturday, February 09, 2008
Awaking with Blood in the Mouth
A pseudo-romantic satire on the "Arabian Nights", Robert Irwin's The Arabian Nightmare is a fun and engaging read. Intricate plot devices mirror the famous 1001 Nights and The Manuscript Found at Saragossa, challenging perceptions of reality through the adventures of a young Englishman in late 15th century Cairo.
The subject is reality and its manipulation through suggestion and dreams. As a medievalist, Irwin knows his setting, and the David Roberts etchings of Mamluk Cairo are a nice touch. The plot gains convolutions page by page, and I confess that I may not have puzzled out all its intricacies - is the narrator the talking ape on Yoll's shoulder, or the ventriloquist? If the later, what is his relation to the rest of the narrative? The title refers to a dream/disease causing excruciating but unremembered pain in the afflicted - could this be anything but life itself?
A delightful and rich reading experience, and deserving of a place on that exclusive list of books to be read again.
The subject is reality and its manipulation through suggestion and dreams. As a medievalist, Irwin knows his setting, and the David Roberts etchings of Mamluk Cairo are a nice touch. The plot gains convolutions page by page, and I confess that I may not have puzzled out all its intricacies - is the narrator the talking ape on Yoll's shoulder, or the ventriloquist? If the later, what is his relation to the rest of the narrative? The title refers to a dream/disease causing excruciating but unremembered pain in the afflicted - could this be anything but life itself?
A delightful and rich reading experience, and deserving of a place on that exclusive list of books to be read again.
Thursday, November 16, 2006
Robert Irwin
Robert Irwin's The Arabian Nightmare is an old favorite, a modern classic of horror/fantasy, written by a medievalist. A short review can be found at http://www.nthposition.com/thearabiannightmare.php
Presented by Washington Post book Michael Dirda columnist as an answer/rebuttal to Edward Said's Orientalism, Irwin has just published Dangerous Knowledge: Orientalism and Its Discontents. It looks to be a nice meaty (409 pp.) history of Western perceptions of the Middle East. I look forward to reading it.
Dirda's review can be found at:
http://www.washingtonpost.com/wp-dyn/content/article/2006/11/09/AR2006110901770.html
Presented by Washington Post book Michael Dirda columnist as an answer/rebuttal to Edward Said's Orientalism, Irwin has just published Dangerous Knowledge: Orientalism and Its Discontents. It looks to be a nice meaty (409 pp.) history of Western perceptions of the Middle East. I look forward to reading it.
Dirda's review can be found at:
http://www.washingtonpost.com/wp-dyn/content/article/2006/11/09/AR2006110901770.html
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